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Rap Beautician, Facts You Listen
11/04/2013, 12:56 AM
Filed under: Random, Tunes | Tags:

Man, it’s been way too long since we’ve heard from one of our favorites, Edan. Last time we spoke was following the release of his wildly entertaining Echo Party. What followed were singles, guest spots, and these equally thorough, offbeat, off-the-cuff home mixes dubbed “Radio Shows”. Here’s the latest one, a live mix of records, washes of echo, and on the spot cuts. We’re stoked on the announcement of a new Rap EP due out in 2014, as is a Rock EP. Looking forward!

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All Killer No Filler
03/05/2013, 2:17 PM
Filed under: Random, Tunes | Tags:

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Snippet from All Killer No Filler mixed by Gaslamp Killer

Long-haired, sweaty, yogi-looking producer/DJ William Bensussen (Gaslamp Killer) is an instrumental part of LA’s Flying Lotus-driven beat scene, anchored by its epic Low End Theory parties with cats like D-Styles and guests Thom Yorke of Radiohead or Erykah Badu.

I wrote about William in the latest Wax Poetics #53 and recently saw this Japanese translation of it while looking for images to post. If you don’t read Japanese, grab the issue and check out his latest project, Breakthrough.

Though I didn’t dig the new one as much as his previous works (sitar overkill and a bit droning, even tepid at times) it does have its moments, rooted mainly in off-kilter breaks and energetic bursts in the arrangement. The snippet above is from a mixtape that showcases more his DJ skills whereas the new one is more production.



(DJ) DAY IN THE BAY
02/21/2013, 4:23 PM
Filed under: Guest Spots, Tunes | Tags: , ,

(With the release of his LP Land of 1000 Chances, DJ Day has pretty much lived up to what friends and fans anticipated– a moody album with many change-ups anchored by a vast yet tempered sample pallet. And the album’s terrifc title video just happens to be thematically couched in all things Bay Area. So we thought the timing was apt for Day to pop by Nerdtorious with some of his favorite Bay Area joints, from LPs to specific tracks. Have a look/listen below and grab his fantastic full-length– it won’t disappoint. – DM)

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Specific Tracks:

Third Sight – “Rhymes Like a Scientist” [Darc Brothas Records, 1996]

I don’t remember where I bought this 12″, but I do remember bugging out on D-Styles scratches type heavy. San Francisco and Philly are truly the greatest cities when it comes to the history of DJing and this record is a prime example of one of – if not THE – best the bay has to offer. Jihad and D made a perfect team and the whole album is worth checking out.

Soft Touch – “Plenty Action” [Sundance, 1976]

I’m still trying to find a copy of this, but if we’re talking Bay Area funk records, this has gotta be in the top 5. I could hear that intro on a loop for days. Top quality every which way.

RBL Posse – “A Lesson To Be Learned” [In A Minute Records, 1992]

I got hip to this record in ’93 while in Job Corps in San Bernardino. Dudes used to blast this playing ball and “Bammer Weed” became the anthem. I still play this cut on the regular.

Specific Albums:


The Residents – George & James [Korova Records, 1984]

The Residents, for those who might not be up on them, are an experimental/performance art group originally from Louisiana, but didn’t get their start until moving to San Mateo. I was listening to them quite a bit while I was making Land Of 1000 Chances and some of that influence can be heard on “FML”. They’re weird and pretty fucked up all around, but I’m a fan. This particular album is a split LP with one side being George Gershwin covers and the other being their version of James Brown’s Live At The Apollo siphoned through a lot of hallucinogens and bad recording techniques. I love it.

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Matthew Larkin Cassell – Pieces [N/A, 1977]

The first time I heard this was on a Kon & Amir comp and later found out a good friend of mine (what up Herm) in Tuscon was responsible for the record getting some publicity. “In My Life” and “You” are the jams. Wish the OG record was easier to come by.

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Too Short – Life Is Too Short [Jive, 1988]

No Bay list would be complete without a Too Short or E-40 record. Trying to choose from Short’s first 5 albums was tough, but I think I played this one the most growing up. “I Ain’t Trippin” , “Don’t Fight the Feeling”, “Cusswords”… this one had all the classics.

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Doobie Brothers – Livin’ On The Fault Line [Warner Bros., 1977]

My love of yacht rock is well known and, again, was probably apparent on some of Land Of 1000 Chances. This whole LP isn’t the greatest, but “You Belong To Me” is the joint. Reminds me of what a coke and wine fueled night strolling in a half unbuttoned shirt with your lady on Embarcadero in the 70’s would sound like. Or something like that.

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Huey Lewis & The News – Sports [Chrysalis, 1983]

I don’t care what anybody says this is going on the list. – DJ Day



Small Records Big Sound
01/17/2013, 3:13 PM
Filed under: Guest Spots, Random, Tunes | Tags: , ,

(One of our favorite dudes DJ O-Dub will be dropping by tomorrow at one of our favorite parties, The 45 Sessions— founded by non other than the homie, DJ Platurn. It was an honor to be a past participant in an event where partygoers care about the music as much as the DJs– plus, 45s just sound so damn good and loud! We asked O-Dub to give us a peek into his crates for tomorrow’s not-to-be-missed affair and here’s what he came up with (hit it!). – DM)

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It’s been ages since I’ve spun a “vinyl only” party, let alone “45s only” and truth be told…as great and convenient as the infinite digital crate is, I find far more creative pleasure in working within limits. Sometimes having access to everything makes a challenge banal; it’s like playing a video game in “god” mode. That said, I knew, going into this 45 Sessions set, I was certainly going to bring along a few go-to favorites on one hand as well as some “yeah, I got this” flossalistic singles. But I also want to use this as an opportunity to play out a few 7″s that have always almost made it to the turntables yet, for whatever reason, never quite made my party playlists. To start:

The Springers – (I Want You) Every Night and Day

My friend Hua Hsu put me up on this many years ago and I immediately fell in love with those hard, hammering piano strokes at the beginning. Great vocal touches and harmonies too. It’s not quite as slick – dancing-wise – as other Northern tracks but it has such a distinctive feel and punch to it. Maybe I’ll finally give this one a spin.

Los Amaya – Que Mala Suerte la Mia

I do love me some rumba catalan and Los Amaya’s “Caramelos” has usually been the track I most frequently play out. But this time, I’m planning to play the flip side – “Que Mala Suerte la Mia” – instead. It’s not as obviously “funky” as “Caramelos” but listening to it, I appreciate the slinky soulfulness that infuses the energy of the singing and guitar. I hope the dance floor can get with it too!

Samson and Delilah – Will You Be Ready

Never played this out before but that’s mostly because I only picked it up last fall and haven’t had a gig where it would have made sense to drop it. If ever there was a rhythm that could be described as “irresistible,” this is it. It’s no great songwriting accomplishment, lyrically, but as a groover, I don’t know if I’ve heard anything quite as propulsive in a while.

DJ O-Dub will be spinning at 45 Sessions in Oakland on Friday, January 18.



The Profiles – If I Didn’t Love You
01/17/2013, 3:10 PM
Filed under: Tunes | Tags:

profiles 45

Released in 1968, this here is a choice 45, one that I play out whenever I can. It’s a hard, driving love number with irresistible doo-wop touches and the beginning alone thumps, sounding like something Prince Paul would’ve used. But it’s the vocals (and harmonies) that drive this, along with a lively arrangement anchored by sharp horn stabs. I picked this up a while back in Chicago but can only gather that its origin is Detroit due to the label. Though certainly not a rare record, it’s a favorite with seemingly no information available anywhere (hit us with any info!).



Viva El Ghetto Brothers
01/17/2013, 3:04 PM
Filed under: Random, Tunes | Tags: ,

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“Girl From The Mountain” (snippet)

“There is Something in My Heart” (snippet)

I recently interviewed Benjy Melendez of the Ghetto Bros. on his incredible story and the music that accompanies the Ghetto Brothers’ legacy. It’s a record that’s not only considered a ‘holy grail’ for collectors but it also serves as a juxtaposed soundtrack for the violent, fiery Bronx where it was made. I say juxtaposed because you figure an album made by gruff street gang members from the ’70’s Bronx wouldn’t be as sugary as it is. But the GB’s lone output turned out to be a mix of Latin garage-rock, Santana, and The Beatles, some of which were anthemic in a political sense but most were just wide-eyed love songs.

I could do without the Santana nods but above are my favorite joints from the album which FINALLY got the proper reissue treatment from Truth & Soul Records. You can read my story with Benjy in the upcoming Wax Poetics and in the meantime check out a recent review HERE.



Guest Spot: Stacy Gueraseva
01/14/2013, 1:14 PM
Filed under: Guest Spots, Tunes | Tags: ,

(A friend to blog, my collaborator, music journalist and author, Stacy Gueraseva was an obvious pick for this year’s guest spot series. Here, she covers two classics through her own immersion in ’90s rap prior to her renowned work, Def Jam Inc. Like her book, these picks have a timeless quality to them and best believe we’re stoked to have her back. – DM)

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Back in the late ’90s when I fancied myself a bedroom DJ with my Numark mixer and Technics tables, I made a monthly pilgrimage to a record store in Brooklyn’s Fulton Mall called Beat Street. I say pilgrimage because when you lived in Manhattan, like I did, late 90s Brooklyn was still a bit of another country. Pre-Barclays Center’s Times Square-style descent upon downtown Brooklyn, the Fulton Mall, a bustling outdoor shopping strip filled with jewelry and discount clothing stores, was the true essence of Brooklyn. There was simply no other place like it on the planet.

I may have looked like a bit of an anomaly at Beat Street, but it didn’t matter. I fit right in, because everyone at Beat Street was there for the same reason; man, woman, black, white, we were all united in our passion for hip hop. As soon as you descended into the basement store, you were greeted by eye candy unlike any other: row upon row of records, vintage and new, way below Manhattan prices. My pulse would quicken; it was shopping time. I knew I would be walking out of there with a nice stack—instrumentals, vocals only, remixes, promo releases—without breaking the bank.

More than half of my record collection came from Beat Street. Reading the liner notes of these is like thumbing through pages out of hip hop history books: names of places and labels that no longer exist. Loud Records…. D&D Studios…the Hit Factory (which was converted into condominiums in 2005). The following two vinyl cuts, for artistic and sentimental reasons, remain some of my most treasured.

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ATCQ feat. Faith Evans: Stressed Out (Raphael Saadiq Remix) [Jive, 1996]

To me, this single off Tribe’s fourth studio album, “Beats, Rhymes and Life,” is one of the best showcases of the unique vocal dynamic between Q-Tip and Phife Dawg, a perfect example of how their respective flows differ yet compliment each other perfectly. The song is affirmative, almost soothing, with the kind of soulful, laid-back vibe that could only be crafted by the hands of Raphael Saadiq. He, along with Tip, Ali Shaheed Muhammad and Jay Dee comprised the production crew The Ummah, which produced the album.

This remix is mellower than the original version, more layered, and also more emotional. “So nowadays I go see wifey just to keep from stress / lay my head on her breast / Sugar dumpling knows best / Explaining all my problems to her / Getting things off my chest…,” Phife raps, in a departure from his typical braggadocious rhymes. Q-Tip, meanwhile, is philosophical as ever, examining the human condition in a way only he can—”Your whole being comes from greatness”—as Faith Evans sings in her warm tone, as though giving the listener a big vocal embrace: “I really know how it feels to be stressed out… We’re gonna make this thing work out eventually.” It’s kind of like a big bowl of hot soup on a rainy day; it hits the spot, when you need it most.

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Mos Def: Ms. Fat Booty [Rawkus, 1999]

While on the subject of Tip, I’d like to take it back to the night of December 2nd, 1999. The scene: Kit Kat Klub on Manhattan’s theater district, filled to the brim with everyone who was anyone in the hip hop industry, gathered to celebrate the release of Q-Tip’s first solo album, “Amplified.” The mood was high, everyone was dancing, girls rocking Baby Phat, guys in Northface jackets and Phat Farm parkas, the air was filled with anticipation of the impending new decade and all of its futuristic promise.

Jay-Z was there too, and so was producer Lance “Un” Rivera. At some point, there was a momentary scuffle, but it was cleared out quickly. No one quite knew what happened, until later, when we learned that Jay-Z had in fact stabbed Rivera. Ah, rappers…The party continued, and so did the head-bangers. The DJ dropped all the best songs at the time, like “Still Dre” by Dr. Dre with Snoop Dog. There were so many juicy cuts of hip hop that it would have been hard to blast through them and come out with something truly remarkable. And then, just as I observed, in disbelief, Prince—decked out in a white suit, flanked by three bodyguards—walking in and sitting down a mere few feet away from me, I heard it: Mos Def’s “Ms. Fat Booty,” clocking me upside the head with its beat, fatter than any beat I heard that night. It was vintage and new, sexy and hard, quintessentially New York, with lyrics that were at the Slick Rick-level kind of storytelling, but with a dash of dry wit. (“Ass so fat that you could see it from the front.”)

Soon enough, I was going down to Beat Street to buy my own copy, and then listening to the instrumental over and over, examining the complexity of the layering and sample use (***courtesy of Aretha Franklin’s “One Step Ahead”) on this unique song. It is an underrated but genius track, and will forever live in my mind as the finest example of the great potential and promise of 20th century hip hop music.

** Aretha Franklin : “One Step Ahead” (Columbia, 1965)