This is from about 6 months back but is important for a couple personal reasons: 1) The caliber of writers who made the BBC’s radar on this extensive project is, at worst, for me, flattering to be mentioned amongst them and 2) I got to mention “I Am, I Be” without having to justify its greatness. Every “greatest” rap list has the same rotation of 5-8 albums, so it was nice to see people get personal. Read the whole (very thoughtful) and huge article/project HERE.
Tag: De La Soul
Plug 1 and Plug 2 of De La are reinventing themselves (sorta), taking on monikers Dave Jolicoeur and Kelvin Mercer for their new project, First Serve. Though it’s more of an excuse to mess around and possibly explore newer avenues of output, First Serve seems like a modern De La project with a party vibe, plenty of laughs, throwback nods and a Handsomeboy-esque approach.
You can see more on the release on their Soundcloud page or peep their Tmblr to get a sense of the humor and aesthetics of the project.
In addition to the ensuing hype, peep their Goon Time Mixtape below, a party mix featuring some odd pairings, mainstream mashups and an old school party vibe– most importantly, it showcases the new First Serve joints. They might blow up but they won’t go pop!
Rap’s Clown Prince: Interview With Prince Paul
Paul is a character who equally adds as much character to his projects. He’s hip-hop royalty and has made some of the dopest, most endearing albums ever– most of which have aged so well, especially in the face of rap records that worsen with time. I was stoked to speak with Paul recently for EGOTRIP’s sample flip series (DJ Spinna and Jake One have been recent subjects).
Read/listen to it HERE and check out the Underdog flip at the end! Below is the rest of our rather lengthy talk, touching briefly on his career points and some current items. Thanks Paul!
Of all the revered MCs you’ve worked with, who struck you the hardest?
I know a lot of rappers and they can all rap in their own way. All those dudes I’ve worked with are just so talented. Look, there’s a laymen’s MC and there are MCs of different calibers. Out of all them, Slick Rick impressed me the most; he had a way about him, he just rhymed with no effort. I remember meeting him early in the morning at the studio and he was just sitting down laying down tracks with perfectly delivered lines with a coffee cup in one hand [laughs]. So casual and natural and delivering perfectly. That’s an image I won’t forget of Rick.
What’s your favorite solo release of yours?
None of ‘em! [laughs] Probably Psychoanalysis because it was so dumb! It was made primarily for my friends and I and I was just gonna do like 1000 copies and kinda put it out to see what happens. I think besides 3 Feet High and Rising, Psychoanalysis brought about the most good things for me and is probably one of the more pivotal records of my career.
What do you remember most from the Stetsasonic years?
I just remember being so young and full of ideas and just being in awe. Imagine a time when making hip-hop records wasn’t something everyone did. Back then, you could name like just a few groups that made rap; it was popular but not commonplace. I remember the experimentation and digging and just meeting cats. These days you can type in ‘hip-hop’ and ‘1979’ and find out everything about it. But back then, you had to go through it.
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