Man, been so busy I forgot to mention a recent cover story I did with one of the greatest ever– the uncanny, most venerable, most natural rappers to ever do it, Tony Starks himself, Ghostface. We went over hilarious ODB memories and pretty much detailed his entire catalogue, touching on rather baroque benchmarks and his profound prolific streak. As of this writing, the followup to his Adrian Younge collab, 12 Reasons To Die Pt. II, is slated for release, as is a VERY VERY much anticipated album with DOOM. Go HERE to pick up what I consider to be– at least up to this point– the most in-depth piece with Ghostface ever written.
UPDATE: Wax Po just made the entire piece available online. Take a gander HERE.
Filed under: Random | Tags: Dilla, Mello Music Group, Pete Rock, Petestrumentals, wax poetics
Pete Rock’s long-awaited followup to his Petestrumentals album is finally here. But unlike its predecessor, and partially due to the ever changing landscape of how people get their music, Petestrumentals 2 is available totally for free, featuring a memorable, head nodding tribute to Dilla (“Dilla Bouce (RIP)”). Go HERE for a listen.
Hearing this reminded me of a talk I did with Pete a while back; we discussed his famous production histories and essential records that profoundly inspired his own style. For example, when asked about the last time he spoke with Biggie, said Pete: “Man, it was right before he died. He told me: ‘Pete, my raps sound best with you and Large Pro. I love that shit!’ That was the last thing he said to me before he died, I swear.” You can read the article in full HERE.
I’m thrilled to have written my third cover story in a row for Wax Poetics Japan. This issue (#35!) is immensely focused on the rap’s first royal collective, The Juice Crew. The photos are amazing, with deep pieces on Big Daddy Kane, Marley Marl, Kool G Rap, and other stalwarts. You can peruse parts of the issue and purchase it HERE .
Since it’s for WPJ, it (obviously) reads in Japanese, but my dudes at Wax Po here in the US were gracious enough to post the original English translation on their site. Take a look at Rap’s clown prince and his deep history, followed by a Q&A sourced from a series of interviews I did with Biz a few years back. READ IT HERE.
I’ve always had a love affair with Joe Meek’s music and strange life– “Telstar”, I always thought, would be the perfect dirge at my funeral. Meek was so innovative for his time, lacing spooky instrumentals with washes of echo and sound effects. He sang, composed, and famously produced so many songs, and a good number of them were weird and icy, mostly due to his innovations behind the engineering board. It was also said he had a weird obsession with Buddy Holly, claiming that he spoke to him from the afterlife.
Meek also infamously told Brian Epstein not to sign the Beatles and advised the Small Faces to get rid of Rod Stewart. His story ends with a crazy murder suicide that capped a career of eerie tunes and an obsession with the occult (he’d set up tape recorders at graveyards to ‘speak with the dead’).
Produced by Meek, “Sunday Date” by the Flee-Rekkers is one I’ve wanted for a while and just recently acquired. It’s distinctly Meek, sounding like a slowed down surf instrumental, melancholy and kind of pleasantly haunting.
Quick plug: I recently helped edit the latest issue of Globetrotter Magazine, a music, art/design, style and culture publication that dares to exist in the rapidly decaying world of print publishing– it’s 2015 afterall. This issue features Afrobeat legend Tony Allen, Parisian beatmaker Onra, menswear maestro Jeff Staple, and a stunning photo essay from Kathmandu among so much other interesting, worldwide happenings. Honored to be apart of something that’s hard to pigeonhole while making a sincere effort to capture the global community. It’s a big thick book you’d likely find at bookstores and airports. To purchase, or for more info, head over to their Facebook Page and make friends.
Filed under: Random | Tags: Brian Coleman, Check The Technique, dj ayres, dj eleven, the rub
When I was in graduate school, Check The Technique was one of the guiding books for my thesis. It not only served the assignment well, but was also every bit as entertaining as its predecessor, Rakim Told Me. I nerded out over specific tracks and their backstories and always thought Brian’s approach and clean presentation really did the subjects justice.
Brian Coleman’s new book, Check the Technique Volume 2: More Liner Notes for Hip-Hop Junkies (Wax Facts Press) is more of the same, a wonderfully written celebration of all these songs and artists we grew up loving. Who knew MF Doom’s initial moniker, Zev Love X, was “X Evolvez” spelled backwards? Mindblown! For info and ordering links, visit: www.WaxFactsPress.com.
It’s completely gratifying and an obvious honor to have Brian stop by with a guest post. With the highly anticipated Check The Technique Vol.2 out now, here’s a snapshot on Mr. Coleman’s mantra when it comes to digging for vinyl. Many thanks sir! – DM
I am a digger. Some of my best friends are diggers. And I love hanging with them and shooting the shit. But when it comes to music, I get frustrated at times because they go for obscurity at most costs, and don’t smell the roses in front of their faces. And by roses, I mean records we can all find every day in broad daylight (vs. dank basements of shady record stores).
So here are some records I randomly grabbed from my collection in a matter of 15 minutes (dig-free), records that should be readily available if you choose to seek them out. These are jams that, for the most part, I have loved since high school– which wasn’t exactly yesterday– and I still love as much today as I did then. Support your local record store!!!!! Buy vinyl!!!! FUCK CDs!!!!!
The Young Adults – “Complex World” – Helping Others (Heartbreak Hits, 1989)
Okay, I guess this is a little obscure, but it’s still a dollar record if/when you see it. Goofy drunk-rock from a band I first learned about in the amazing flick of the same name (“Complex World”), based around the debauchery at Providence, RI rock fleabag venue Lupo’s Heartbreak Hotel.
Bad Brains – “Re-Ignition” – I Against I – (SST Records, 1986)
H.R. is listed as “throat” in the liners, but he was heart and soul, too. This was later in the group’s career (at least their career making great records), but proved they still had it. One of the greatest live bands I have ever seen.
The Carpenters – “Calling Occupants Of Interplanetary Craft” – Passage (A&M Records, 1977)
If you can think of something cooler than Karen Carpenter summoning space aliens, please let me know.
Captain Beefheart and his Magic Band “Dropout Boogie” – Safe as Milk (Buddah Records, 1970)
Off-kilter, raspy, drug-inspired (I can only assume) and actually somewhat sensible, lyrically. Desert heatstroke rock. Fucking excellent. Continue reading
Regular readers will notice we dig international music, especially of the forgotten, funky, soulful, and psych variety. We’ve covered Sinn Sithamouth and other pioneering artists who’ve been criminally overlooked for various (and sometimes, terribly regrettable) reasons. Our good bud DJ Basura has put together an assortment of lost grooves from the Philippines, all culled from glorious, crackly vinyl– lots of breaks, lots of fuzz, and endearing covers. Based on these effusive selections, hopefully more of the same is afoot. Some words from Basura on his fantastic new mix below.
Says Basura: “This mix was inspired by labels seeking to unearth good ‘world music’, like Folkways (now Smithsonian Folkways) and Sublime Frequencies. Ranging from a wide variety of genres including rock, pop, garage, soul, disco, funk, jazz, psych, & Filipino folk dance mainly from the 60’s-80’s (There’s even a surf song and a couple of James Brown covers, amongst others on here!), my goal was to simply shed some light on music made in the Philippines from the past. It’s not an actual ‘mix’ as what most would consider a ‘mix’ to be these days (it’s neither completely beat matched nor made specifically for the dance floor, though you can certainly groove to most of it), this is a collection/compilation more than anything else. This is just an inkling of what seems to be a mainly untapped resource (the past history of Filipino music). Hopefully this could lead to more awesome Filipino compilations/mixes that I put out.”
****************GRAB BASURA’S FILIPINO FOLKWAYS MIX’ HERE