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Lonely Progeny
01/03/2012, 4:53 PM
Filed under: Tunes | Tags: , , ,


“Hey There Lonely Boy” is an American classic written by Earl Shuman and Leon Carr, recorded in 1963 by Ruby & The Romantics. It eventually charted at #2 in 1970 by Eddie Holman who famously covered the tune as “Hey There Lonely Girl”. It also was done again in 1980 by Robert John. And while John’s take is perhaps the least memorable, it’s 1980 version shows that “lonley” had legs that carried it almost 2 decades after it’s release.

The Decoders, Itai Shapira and studio musician Todd Simon (trumpeter/arranger for Mayer Hawthorne, TV On The Radio, The Lions, Dap Kings, Antibalas and Quantic) put out a new project and the lead single is another addition to the “Lonely” progeny. Overseen by Richard Rudolph (songwriter/producer and husband to Minnie Riperton) the project features Leon Ware, Coco Owino (Quadron) and a notable cast full of musicians both legendary and contemporary. Keep an eye out for future tunes from the LA-based duo and peep their classy take on a classic below.

“Hey There Lonely Boy” by The Decoders ft. Coco Owino

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Farewell Willie
01/09/2010, 12:35 PM
Filed under: Guest Spots | Tags: ,

*Studio musician Todd Simon (of Antibalas, Breakestra, The Dap Kings, and El Michels Affair fame) wrote this on Willie Mitchell’s recent passing. Willie was a big influence on Todd, and studio musicians like him, so here are some of his thoughts. RIP Mr. Mitchell.

By Todd M. Simon

To find out one of your biggest heroes has passed away via Twitter is not fun. Five days into a brand-spanking new decade, I stumble upon a tweet from the east coast vinyl-digging monster DJ Small Change: “RIP Willie Mitchell. Can’t fuck with Hi Records real schitt.” My heart sank 20 floors.

Willie Mitchell is solely responsible for creating one of the most unique sounds from the R&B Soul movement of the ’60s and ’70s. Mitchell, who died at the age of 81 due to a heart-attack on January 5th, 2010, developed something fresh in R&B while Soul radio stations were flooded with James Brown, the Motown sound of Detroit, Philly Soul, and of course, his neighbors over at Stax in Memphis.

As in-house producer for Hi Records, “Papa Willie” produced and arranged hit after hit with Soul legends Al Green, Ann Peebles, Syl Johnson, O.V. Wright, and Bobby Bland. Mitchell also led his own band as a trumpeter and released many hits under his own name, including “Soul Serenade” and “30-60-90“. Eventually, he gained ownership of Hi Records in 1970 and continued the label’s legacy until the late ’70s.

The first time I heard Willie’s sound was on Al Green’s “Love and Happiness” on an oldies radio station around the age of nine. I had already started studying the trumpet and was blown away by the powerful and intense horns throughout the entire song. Soon to find out, my mother had two Al Green LP’s in her wonderful vinyl collection: I’m Still In Love With You and Let’s Stay Together. Little did I know that these records would go on to shape my musical life for years to come. It’s these recordings that served as reference for my first ever horn arrangements in addition to the majority of albums I’ve worked on since.
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