Admittedly, I wasn’t big into Blu before writing about him for the current issue of Wax Poetics— although I always dug the production on his early work with Exile. He has a sizable and seemingly rabid fan base so here’s the full transcript of our recent talk. His new release, Good To Be Home, is a testament to his hometown of LA and finds him on the ascendant in terms of comfortability on the mic and overall more fully realized subject matter. Says Blu: “First off, I have to say this a huge honor, I have been waiting for this opportunity to meet for a long time and preparing for the day I sit down with the magnificent Wax Po!”. – DM
Tell folks a bit about your history with Exile. Your first release was in 2007. How sure were you at that point that music would be your career?
I actually wasn’t sure at all. I started working on the record in 2005 at the age of 21, and I knew I wanted to make a strong debut like all the greats I admire like Nas, Ice Cube, Krs, Snoop, and others. It was a huge blessing to get Exile to produce the entire record. I had other producers in mind when we first started crafting the album but after exile and I did one song, I knew he was the perfect person to man the production on the entire record. I always looked up to Premier, Dilla, and Hi-Tek and I finally met someone from California who was on that level of production mastery. He had all the jewels for me to create and get out everything I needed to express for my debut.
You started as a hypeman? How was that experience as an aspiring rapper?
Well, my cousin wrote my first raps for me when I was thirteen but because I was raised in the church, hip-hop was restricted in my household growing up. It wasn’t until I moved back into LA county with my father that I began to buy rap music. It was right after I listened to DMX’s “It’s Dark and Hell Is Hot” that I started writing my own raps. I was a great freestyle emcee for years, it wasn’t until my good friend who worked at wake up show convinced me to start writing and recording songs instead of battling every emcee for my recognition.I thank him to this day. I remember he always said, “Aint no money in free styling bro, its free”. Then he hipped me to Aquemini. I would eventually hype man for many california groups and bands before my crew and i would get to the point of gracing the stage on our own. Continue reading “Kind of Blu”