Filed under: Interviews | Tags: biz markie, Bob james, Creed taylor, CTI, Quincy Jones
(I did this one a couple years back and at the time, Bob had me send him the story so he could plug it on his own site (which then, wasn’t yet up and running). Bob’s site went live last week and to my pleasant surprise, we’re getting a lot of traffic as a result. The piece covers perhaps his most important works (albums One, Two, and Three) in addition to his deep history with CTI and his subsequent connection to hip-hop. Here is my in-depth 3-piece article on Bob James, re-posted given the sudden surge of relevance. – DM)
Originally published for Wax Poetics
“I’m flattered to be a part of hip-hop’s history,” says Bob James nonchalantly. “But I believe we’re still at the beginning of understanding how young people make music.”
Bob James’s career developed during a time when radio ruled, records sold, and Roberta Flack had the country’s number one song. Things were different then. Popular music was changing, and over in New York, kids were priming themselves for a burgeoning hip-hop scene. James was thirty-five by 1974 and had just released his first solo album on CTI Records. His subsequent projects for the label were both commercially successful LPs and unsung flops. Regardless of units sold, it was those very records that would lay the foundational sound for some of hip-hop’s most coveted records. It was those kids in New York who initially took James’s music and adapted it for themselves to use and the world to see.
James’s first three CTI releases—One, Two, and Three—are amongst the most sampled records ever. And if we’re truly beginning to grasp how younger generations make music, it’s safe to assume that James’s catalogue is a resource that’ll be continually sifted through and sampled from.
In this three-part interview, he talks in-depth regarding details of his career: The first part of the interview touches on colorful names that are intermingled with his history, its development and legacy. Next, he reflects back on his first three CTI releases, breaking down the most sampled songs on each album. In the interview’s final component, Bob James explains the process of sample requests throughout the years, its affect on him, and why he’s “flattered to be a part of hip-hop’s history.”
I. Quincy, Creed, and the Biz:
What role did Quincy Jones have in developing your career? Continue reading